‘Grant Doyle is a stunning Orestes, occupying the role with a profound sense of fate, all the more devastating for its restraint. Vocally, he doesn’t hold back, unleashing one of the
smoothest, most agile baritones I have heard in a while. "
Iphigénie en Tauride/Pinchgut Opera, Harriet Cunningham, The Sydney Morning Herald
"Baritone Grant Doyle also impressed as Iphigenie’s tormented brother Orest. Maintaining a burnished, smoky toned timbre, he captured his character’s anguish, seamlessly shifting from quietly smoulderingg resentment to explosive rage.’
Iphigénie en Tauride/Pinchgut Opera, Murray Black, The Australian
"Chief among the males is her captor the Forester, big-voiced and yet vulnerable in baritone Grant Doyle's fine portrayal."
Cunning Little Vixen/Garsington Opera, The Observer, 29th June, 2014
"The Australian baritone Grant Doyle was perfect as the dastardly Don, combining a fine, powerful voice with a splendid swagger and confident and energetic movements around the stage that emphasised his irresistibility."
Don Giovanni/Garsington Opera, Daily Express,
June 13 2012
"....around him are some of the finest actor-singers you'll see in years. Grant Doyle as first mate Starbuck, in every moment, every gesture, communicates the depths of longing that fuel his spirit."
Moby-Dick/State Opera of South Australia,
the Advertiser, August 2011